Stencil this…

Good morning friends!

So I was playing again with my Oxide inks and this is what was produced!  I only intended to make one card, but you know how it is, you need to practice with new materials to know exactly how they’ll perform.  And when you practice, sometimes you end up with some extra samples that are quite usable! And these layered stencils by Stamper’s Anonymous and Tim Holtz are ones I’ve been waiting a long time to play with.

stencil6

So, d’you want to know how I made these?  The white card is a successful experiment with Gel Medium but the three blue cards above are made mostly the same way, with small variations as you’ll see in the following stepped out photos.  As well as a step-by-step instructional, I’ve posted these cards AND a time-lapse video on Instagram where you can watch me actually make one of these card fronts.

step1

I started by sponging ink onto smooth white cardstock paper.  Blending ink like this, is where the new Distress Oxide inks shine the brightest. Something about their chemical make up, makes them SO agreeable to use and work with.  And using the smoothest cardstock you can find makes the blending even more magical!

step2

Once I was finished blending the color on, the next step was to sponge some of the same color ink (faded jeans, in this case) onto one side of a stencil.  I used the Stamper’s Anonymous Honeycomb stencil.

step4

Next, I sprayed the stencil with a water spritzer…

step5

…then flipped the stencil face down onto the card front.  I covered it quickly with a sheet of paper towel to absorb what might seep out from under the stencil, then picked it up to let it dry.  So what’s going on here is two things.  Where I had sponged color, and misted it, the stencil laid down a pattern in a darker pigmented color.  But where there was no color, only water from misting, the effect is the oxidizing that the ink is named for.  You can see this on the finished cards at the end of this post, where the honeycomb design has dried lighter.

step6The ink dries very quickly, and you can immediately move on to the next step, which is to smoosh more ink down on your mat.  Then, using a palette knife, scoop out some light molding paste and smear it down onto the ink, spreading back and forth to blend the color in completely.  If the result isn’t dark enough for your liking, scrape up the paste to one side, smoosh more ink down on the mat and repeat the blending process.

step7

Now you’re ready to smear this through the stencil.  You don’t want to go for lunch after you’ve mixed the paste, and before spreading it over the stencil.  Nope.  Nyet.  Non.  It’ll dry up to a completely useless chunk of ….. something.

step9Spread the paste over the surface as smoothly as possible trying to not leave ridges or uneven patches.

step10

Lift off the stencil and let the paste dry.  It won’t take long.  Now you have a card base you can build a card from.

Now, before I show you the finished card designs, I want to show you the difference between mixing the Oxide ink with molding paste, where you get a grittier, matte finish, that’s actually quite soft to the touch when dry….

step14

step12

….to the shinier, smoother, clearer finish you get when you mix the ink with Heavy Gel Medium.  I discovered this by accident.  Usually I use the gel medium as more of an adhesive for sticking down larger, heavier items on mixed medium projects.  It has the body to support bigger pieces, and dries pretty quickly.  But it also blends quite nicely with ink, and can be spread through a stencil.

Here are some close-ups of each of the cards I created from this design.

stencil2

I really love the monochromatic, fully textured look of this card above.  It was accomplished by adding lots of ink to the molding paste to make it dark enough to perfectly match the blended cardstock.

stencil3

On the above card you can see from the color of the honeycomb design, where it’s lighter than the blended background, that the stencil was mostly just wet with water, and very little ink pigment.

stencil4

Whereas, the above card shows the honeycomb design dried darker than the blended background.  That’s where I’d sponged more ink onto the stencil before misting it with water.

stencil1

This is the card made from the practice sample using the Gel Medium with the Oxide ink.

And then there’s this card.

stencil7

It was totally a practice sample sheet where I was trying out several different techniques.  But with some judicious trimming, I thought it made a lovely background for the paper doily, washi tape and sentiment.

So, there you go, several different looks from trying something different and practicing with some new product!

Have a great day!

Posted under Design Team Inspiration

This post was written by Norine on May 28, 2017

Tags: , , , , , , ,


Copyright © 2005-2017 Love is in the Details